Due to the uncommon subject of the panel nr. The best preserved of these archaic paintings from Campetti depict the greek myths of Perseus attacking the Gorgons and the Paris’ judgment (Roncalli’s corpus: nr. In Etruria such models of oriental origin and influences from the Greek world, also a participant in the Orientalizing phenomenon, coexisted, in the years when the Homeric poems were being recorded and two worlds encountered each other.Focus of the present article is an etruscan painted plaque found out at Cerveteri (Campetti) in the 1940s by Mario Moretti, who published it in 1957 together with other panels that afterwards Francesco Roncalli labelled the “Gorgon series” in his monographic essay. Together with an architecture, sculpture and painting of monumental character, is introduced alphabetic writing, a Phoenician invention, but in this case based on a model developed by the Greeks of Euboea. Etruscan civilization, at its magnificent beginnings, sees the birth of the urban phenomenon. Against a background of Phoenician expansion and Greek colonization prestige goods were introduced into the West along with ideas and wisdom deriving from Egypt, from the Aegean and the Near East. 730-580 B.C.), Etruria participated in a widespread cultural phenomenon that encompassed the entire Mediterranean basin: an extraordinary epoch that saw the displacement of people, the circulation of goods and of ideas, and the growth of wealth. During the phase termed “Orientalizing” (ca.
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